S P I N E L E S S  B O O K S

From the Editors’ Skulls

The Editor's Skull.

A Letter from Iain Matheson

 

N N N N N

 

-           These-re *some* mnemonics

- f-r to

 

essay( the propre- -

 

4( 1-( 8-

******************************

>a< >a< >a<

similar É retrieval in Benjamin- Walter- Selected Writings vol- 4- 1938-1940( Cambridge/London: Belknap/Harvard-- 2003- pp284 - 301- 'Germans of 1789--

******************************

':- concept containment

:

ratio

equivalence/ex trax h

ÑÑÑÑÑÑÑÑ

meta for

 

new ii(

¼¼ **--

 

words.

That-s

 

'these symbols are

'our trading cards-

 

a

real

 

rain

******************************

logic no logic o

language no lan -

******************************

Th- n

emspoetry É inpacts

'like power-

on 13

 

 

 

 

 

 

 

 

 

 

 

War Prayer

 

 

 

 

 

 

Flat Book #2 side 1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Flat Book #2 side 2

 

THIS JUST IN: three recent newspoems

 

 

 

 

 

11

03 late first kept( anti-teleologic

 

itself s itself

 

-           Is Teleology

It?(

typolography

-           open s PACE f-r ex ontologic politics.

******************************

p1 l-s 12-14 Lays : .

.

.

in 'horizon-( spaces-

 

molten cheese-

 

p41 con-s p39 *re*- 'collapse-/[1]'merges- - i.e.

 

*that*

ev-n to diffŽrance

 

does-

 

pp43 - 44 'The [É] coyotes- graze @ this translucent fix-[2]

 

p46 l- 22 'A- held É pitted *polysemic* complic t s

anagramatism(

eennffoollddss-

-           ( yeah- Anagram

-           s(

n o h

 

*hi*

>2<

lim-s

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Unknown: An Anthology

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

p74- More than eponymous drunken boat ˆ

É *leafleting* p74 C ¼ economy É s o pearl in pearl w-out return-

 

p80 v45 single - break - astonished november -03 É expanded

ectomium-[3]

 

p113 : p116 : p39 : p41

p116 'experience-

overdetermined contr>a<

 

>s<

narrative- relevant ˆ propos de p 113

p117

relevant ˆ propos de pp 43 - 44-

-figures-

 

impossibility

o

manoeuvres-

p127 The

lapinacy

o

montage-

p133 : pp43 - 44 : *x* : *x*-

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p19- Crit-( sic--s

serried

 

west

 

silos-

pp22 - 23- p19-

pp26 - 29-

re- p9 & p16-

This repositioning

 

themmakes is b-y

 

wat it themmakes-

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Johnny Werd: The Fire Continues( 2nd ed-

 

 

 

 

 

 

 

 

 

 

 

'dream-s É site-

 

pp30 - 31(

-3-

de vise reciprocal

... calculabilties

 

fire & water

 

¼¼

+

p116 = s *material*

 

index

 

steps

 

trope-[4]

******************************

Minding -03 crit- extant-

'2002- sires aquaria/aquaria in

definitely.

p3 l-s 3-4- p6 l-s 9-11- p8 l- 3- p16- p18 l-s 5-6- p24 l-s 5-7.

 

-           & this → X ←-s riven( in

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2002: A Palindrome Story

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

essentially- -

w-

&

by

 

poss- palindromes -

-           poss- palindromes -

 

re- | extension -

 

-           ( yes- this extrinsism

centre s a GENERATIVE par excellence

 

ev-n to( un-hypostatising *functional* determinates.[5]

 

The palindromic illustrations imply/icate( s-

its/themself/ves

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an instrumental( sic- mathematics( sic- o th

is-

 

illimitable illimitable

dings & & & & &

 

all. the. way. throu-.

******************************

-           Dashes & slashes & plaines- o my-

******************************

Origin post 'dates- origin - that-s t-o- note

S-Skh

*does 'labyrinth- carry ov-r its break? 'key-*

sate -

 

                                    D A N

recuperation-ss ite É ¼¼furcates

:

its architect-- its | dŸrer-

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

É

 

 

Transcriptions From A Blank Book

 

 

 

 

 

 

 

 

 

ÑÑÑÑÑÑÑÑÑ

cra/i/c/k-

 

'exit- - 'entrance- in( bibe- heteronomy- -( a-direct | a 'stirner-( sic- point-

Double( 'a shelter [É] swallowing itself---s to ¼¼ syntax-

 

*A meshremov-d cinema/icerink o liminal*
É cognition[6]

 

ghosts o( ¼¼- syntactic É function - o o(

-           syntax-(

 

the next( sic--(

 

-           breaks( Line-

-           breaks( Stanza-

-           breaks( Page-

 

Crash f-r crit- - to w   here

                                    in

DIN &

DIN &

that-s( hence '( sic--- = turducken.

 

Unfigurable

r r r r r

o

a

priori

notcausality.

 

Half →half← spargles-[7]

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

******************************

February 24 2nd year l-s 9 - 10- Fr-m afterhistory ˆ fore

simple opposition ˆ narcitulation o that brok-age on the( É-

shore(

 

short-n( chime--

box-

 

April 13 2nd year- Keller-s( mis-

axis É w w h h o o l l e e in

Keller-

auratising -determinat-s

o

auratising-

******************************

it/hey don-t meet

in

'blue- - that-s meeting --

-s/ar-n-t

 

a

simplex a

 

thar-

 

-           how it/hey function

s-

 

-

-           d archetype

-           d image/music

-           d rŸpture

-           d -system

-           'Date: Thu, 01 Aug 2002 02:26:29/ Subject: Blue Shift: A Theory or A Short Film or A Scenario or A Project/ From: simonsaysthis@omphalos.com/ To: skipvskip@hotmail.com-

impacsses it-

 

delineate demark(

 

WithHiddenNoise

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Kind Of Blue

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

logix cross--



[1] v v v v v

[2] Re- '-Werd- p19-

[3] *This* 'Book- i seems to have read backwards-

[4] M-own( mown- copy o '-Werd- b t w-s now surviv-d

            i) filthy rainwater(

total immersion-(

-got caught in a downpour in only nominal waterproof but n o m i n a l runnydyed clothes-

            ii) aleatory reprinting( -fore-

            iii) getting hit by a bus( i carrying it 1ce knapsack & hope s-t glasgow being so v e r y narrow

buslaned-

 

-find the aaaauratic

marking

deep suggestive-

as in that copy o 'Being and Time- i wanted so & lost to hand sonns care the one w- the centre printed

 

upside

down-

[5]( Re- that double( re- that-: C '-Anthology- pp43 - 44 & '-Werd- p9 & p16-

[6]( I.e. ducks- Re- alzo '2002- above-

[7]( -have read( then- 'Transcriptions- variously '@-( sic- bar bed bench bus club plinth square street temp agency headquarters( CAPS IN HAND- train & 2 *x* more 07.01.04 en ecoutant ˆ pavement

            &(        *saves

*the

*day*J-:

-           It  squalls best on steel.

*

Skullclutter

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